In 1849, Lane began overseeing construction of a house/studio of his own design on Duncan's Point—this house would remain his primary residence to the end of his life. Image size 21 9/16 x 35 3/4" (548 x 909 mm). Fitz Henry Lane. This seascape by painter Fitz Henry Lane shows the wide expanse of Boston Harbor in Boston, Massachusetts and the many ships, boats, and ferries that sailed its waters daily. "[6], Other findings have shed new light onto not only Lane's artistic process but have also revealed him to have been a staunch social reformer, particularly within the American temperance movement. Furthermore, it has been suggested by art historian James A. Craig that because he could not play games as the other children did, he was forced to find some other means of amusement, and that in such a pursuit he discovered and was able to develop his talent for drawing. Lane was an … Fitz Henry Lane was born Nathaniel Rogers Lane in the fishing port of Gloucester, Massachusetts on December 18, 1804; in 1831 he legally changed his first and middle names, becoming Fitz Henry Lane. As well, the long-held suspicion that Lane was a transcendentalist has been confirmed, and it has been uncovered that he was also a Spiritualist. 64–67. Lane may have supplemented his primary, purely experimental practices in drawing and painting with the study of instructional books on drawing, or more likely, by the study of books on the subject of ship design. Starlight in Fog is the second of two paintings depicting the same vessel. Collection of the Cape Ann Historical Association, The Golden State Entering New York Harbor, "Oh Henry, Fitz Hugh Lane by Another Name", "$5.5 Million Dollar World Record | Fitz Henry Lane Painting | Skinner Inc", "Lane's Owl's Head, Penobscot Bay, Maine", Fitz Henry Lane: An online project under the direction of the CAPE ANN MUSEUM Gloucester, Massachusetts, Art and the Empire City: New York, 1825-1861, https://en.wikipedia.org/w/index.php?title=Fitz_Henry_Lane&oldid=1020535463, Short description is different from Wikidata, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, Depiction of various naval craft in highly accurate detail, Pronounced attention to depicting the interplay of light and dark, Hyper-accentuated vegetation within the immediate foreground, An elevated "insider point of view" perspective, Boston Harbor- Boston Museum of Fine Arts, "American Masters from Bingham to Eakins: The John Wilmerding Collection", The National Gallery of Art, May 9 – October 10, 2004. Nathaniel Rogers Lane. Lane had visited Gloucester often while living in Boston, and in 1848, he returned permanently. During the 19th century, Fitz Henry Lane became the country's premier maritime artist while capturing the coastal soul of Gloucester with his glorious compositions and technique. … His views of Boston Harbor, Gloucester, and Maine’s coast were eagerly sought. Despite its meticulous draftsmanship and precise detail, Lane's work is far more than a simple inventory of harbor activity. The Fitz Henry Lane House is a historic house at 8 Harbor Loop Road, on the harbor side of Rogers Street in Gloucester, Massachusetts.The three story stone Gothic Revival building was designed and built in 1849 by the artist Fitz Henry Lane, and was his home until his death in 1865.The building now sits in a municipal park, and has a commanding view of the harbor. Some study of the literature on the subject of ship design seems highly plausible, given that Lane would have had easy access to many such texts, and, more importantly, the most certain necessity of such a study in order for Lane to be able to produce works of such accurate detail in realistically depicting a ship as it actually appeared in one of any given number of possible circumstances it faced in traversing the sea.[3]. All fitz henry lane paintings ship within 48 hours and include a 30-day money-back guarantee. Fitz Henry Lane was born on December 19 th in 1804. Always pleasant and genial with visitors. American. However, as evidenced in this quote from Lane's nephew Edward Lane's "Early Recollections," his interest in art held much sway in his deciding on a career: "Before he became an artist he worked for a short time making shoes, but after a while, seeing that he could draw pictures better than he could make shoes he went to Boston and took lessons in drawing and painting and became a marine artist."[4]. It is a calm and jewel-like work with the innocent charm of 1840s America.Lane’s growth in sophistication over time is clearly evident in a very similar scene from the same coast eleven years later, Rafes Chasm, 1853 (inv. He was always a favorite and full of fun. Fitz Henry Lane was born on December 19, 1804, in Gloucester, Massachusetts. The Cape Ann Museum, located in Gloucester, Massachusetts (Lane’s birthplace and home for most of his life) has the world’s largest collection of Lane’s paintings, drawings, lithographs, and related material. » See Fitz Henry Lane works on view at the Cape Ann Museum. Boston Harbor, Sunset, Fitz Henry Lane (United States, Massachusetts, Gloucester, 1804-1865), United States, 1850-1855, Paintings, Oil on canvas, Boston harbor is … Every work is illustrated in full color and many are accompanied by a short essay. The work is signed on the front and is inscribed on the back, “John S. Chase Esq. Every work is illustrated in full color and many are accompanied by a short essay. [3] To go a step further, as a result of his having a busy seaport as immediate surroundings, he was able to develop a special skill in depicting the goings-on inherent in such an environment. This balance does indeed seem to support the connection of Lane's works with Luminism, as one definition of luminist art is that "characterized by a heightened perception of reality carefully organized and controlled by principles of design. Customize your fitz henry lane print with hundreds of … He quickly attained an eager and enthusiastic patronage from several of the leading merchants and mariners in Boston, New York, and his native Gloucester. This exquisite early watercolor is one of only several we know by Lane. “Fitz Henry Lane (born Nathaniel Rogers Lane, also known as Fitz Hugh Lane) (December 19, 1804 – August 14, 1865) was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.” (1965–1975), pp. As for why such employment was beneficial to the budding artist, art historian James A. Craig, in his book Fitz H. Lane: An Artist's Voyage through Nineteenth-Century America, the most comprehensive account of Lane's life and career, offers this illuminating description of the career evolution of the typical lithographer: "... an apprentice's schooling presumably began with the graining of stones, the making of lithographic crayons, and the copying of the designs and pictures of others onto limestone. A contemporary of the Hudson River School, he enjoyed a reputation as America's premier painter of marine subjects during his lifetime, but fell into obscurity soon after his death with the rise of French Impressionism. Howat, John K.; Sharp, Lewis I.; Salinger, Margaretta M. "American Paintings and Sculpture." Good condition and color, save for mild toning. One of the finest examples of this print that the shop has had the pleasure of owning. Linked Open Data Linked Open Data URI. The website is intended to provide information of interest to a broad audience, and to serve as a resource for information and analysis of Lane’s work. The website focuses on both the formal, aesthetic qualities and provides detailed information on the historical context of his pictures. Paralyzed as a young child, probably by infantile polio, Lane was obliged to use crutches. Lane has given equal emphasis to all elements of the composition, and while the coloring is quite literal he has created a lovely harmony with the various blues employed across the composition. At first look it could be mistaken for a hand-colored lithograph. (1975–1979), pp. As his talents developed, the apprentice would find himself gradually taking on more challenging tasks, from drafting and composing images (the role of the designer) to ultimately being permitted to draw his own original compositions upon limestone (that most prestigious of ranks within the litho shop, the lithographic artist). Each fitz henry lane art print is produced using archival inks, ships within 48 hours, and comes with a 30-day money back guarantee! Fitz Henry Lane Sculpture by Alfred Duca.jpg 2,592 × 1,944; 2.12 MB Northern Light yacht.jpg 1,800 × 1,236; 1.72 MB SCHOONER "LOO CHOO" IN A CALM SEA .jpg 800 × 519; 67 KB In terms of Lane's influences and relations to the artistic tradition of Luminism, Barbara Novak, in her book "American Painting in the Nineteenth Century", relates Lane's later works to Ralph Waldo Emerson's Transcendentalism (which she relates directly to the emergence of Luminism), claiming that "[Lane] was the most 'transparent eyeball",[5] and that this was evidenced by Lane's balancing of what Novak describes as the "contributions of the primitive and the graphic traditions to his art",[5] the primitive being what he learned on his own by first observing and interacting with the surrounding environment he sought to depict, and the graphic being those skills Lane acquired through working as a lithographer. “Fitz Henry Lane (born Nathaniel Rogers Lane, also known as Fitz Hugh Lane) (December 19, 1804 – August 14, 1865) was an American painter and printmaker of a style that would later be called Luminism, for its use of pervasive light.” Gloucester, Massachusetts, native Fitz Henry Lane was at the height of his career by 1850, when he executed this grand and tranquil scene of the bustling port of Boston. Please note that the information on this and all pages is periodically reviewed and subject to change. Lane could still have become a sail-maker, as such an occupation entailed much time spent sitting and sewing, and that Lane already had some experience sewing from his short-lived apprenticeship in shoe-making. Fitz Henry Lane Online is a freely-accessible interactive and interdisciplinary online resource created by the Cape Ann Museum. It was luminism more than any other of the schools that succeeded in imbuing an objective study of nature with a depth of feeling. Lane is one of the finest nineteenth-century luminist painters. While other painters of his era were entranced by the violent power of the sea, Lane’s pieces often display … However ambiguous many aspects of Lane's life and career may remain, a few things are certain. Lane's First Complete Lithography Exhibition at the Cape Ann Museum, Explore works in the Catalog using the Interactive Feature, Rockland Harbor, Maine – Owl's Head Light », Stevens, Joseph, Sr. and Dorothy Little ». It was not until March 13, 1832, that the state of Massachusetts would officially grant Lane's own formal request (made in a letter dated December 26, 1831) to change his name from Nathaniel Rogers to Fitz Henry Lane. "[3] In addition to confirming Lane's early talent, this observation also indicates that Lane was largely self-taught in the field of art—more specifically drawing and paintings—previous to beginning his employment at Pendleton's lithography firm at the age of 28. Sharp, Lewis I. Fitz Henry Lane Online is an online catalogue raisonné of all known paintings, drawings, and lithographs by Fitz Henry Lane, listing ownership and exhibition history as well as literature references. At the time when Lane began his employment at Pendleton's, it was common practice for aspiring American artists—especially those who, like Lane, could not afford a more formal education in the arts by traveling to Europe or by attending one of the prestigious American art academies, such as New York's National Academy of Design or Philadelphia's Pennsylvania Academy of Fine Arts—to seek work as a lithographer, this being the next logical step in their pursuit of a career in the arts. It is relatively small, 8 1/2 inches by 10 1/2 inches and is dated 1842. Fitz Henry Lane was born in and … With the refinement and development of his artistic skills acquired during his years working as a lithographer, Lane was able to successfully produce marine paintings of high quality, as evidenced in his being listed, officially, as a "marine painter" in the Boston Almanac of 1840. The diminutive figures and carefully rendered vessels remain secondary to the vast expanse of sky, where shimmering light creates a tranquil, idyllic mood. Sensational claims that Lane was "a somewhat saddened and introspective figure … often prone to moodiness with friends",[7] and that his existence was one of "quiet loneliness",[8] have been proven fallacious with the full quotation of the testimony of John Trask, a patron, friend, and next door neighbor of the artist, who states that Lane "was always hard at work and had no moods in his work. A cityscape of Boston and the Massachusetts State House are visible on the horizon. Starlight in Harbor was the first and was painted in 1855. See more ideas about museum of fine arts, fine art, painting. As one of the styles of landscape painting to emerge in the nineteenth century, luminism embraced the contemporary preoccupation with nature as a manifestation of God's grand plan. Website design and Database Software by, http://fitzhenrylaneonline.org/homepage.php, New York City Locales, Businesses, & Buildings, Maritime & Other Industries & Facilities, Two Unusual Hunting Scenes: Lane's Early Watercolor, F.H. . As noted above, because Pendleton specifically sought painters to work in his shop, Lane would most likely have received the benefit of working under and with some of the most skilled aspiring and established marine and landscape painters of his day. Based on a field study (Brace’s Rock, Eastern Point, 1863, Cape Ann Museum, Gloucester, Massachusetts), Fitz Henry Lane’s paintings of Brace’s Rock near Gloucester largely relinquish the practical focus of an artist who had hitherto “earned his money . Lane continued to refine his painting style, and consequently, the demand for his marine paintings increased as well. Lithograph printed in three colors, c.1855. The Fitz Henry Lane Cottage is one of the Inn’s three premium Maine cottages and offers incredible proximity to the ocean. The largest collection of his work is currently held by the Wallace Family of Boston, Massachusetts where his work is on display throughout their family offices, private homes, and estates. From the time of his birth, Lane would be exposed to the sea and maritime life—a factor that obviously had a great impact on his later choice of subject matter. Choose your favorite fitz henry lane paintings from millions of available designs. From one of his first copied lithographs, View of the Town of Gloucester, Mass (1836), to his very last works, Lane would incorporate many of the following arrangements and techniques consistently in the composition of his art works, both his lithographs and paintings: Perhaps most characteristic element of Lane's paintings is the incredible amount of attention paid to detail—probably due in part to his lithographic training, as the specific style of lithography that was popular at the time of his training was characterized by the goal of verisimilitude. Discover canvas art prints, photos, mural, big canvas art and framed wall art in GreatBigCanvas.com's varied collections. "Coming of Age: American, 1850s to 1950s". It is often speculated that Lane would most likely have pursued some seafaring career, or become a sail-maker like his father, instead of an artist, had it not been for a lifelong handicap Lane developed as a child. Commanding one of the finest panoramic views of Gloucester Harbor, the artist Fitz Henry Lane designed and built this austere but romantic granite house in 1848-49 with Gothic vaulted chambers, stone details, and an almost arbitrary interior room plan set high on a … Starlight in Fog . Notable Acquisitions (Metropolitan Museum of Art), No. Nov 3, 2017 - Explore MFA Boston's board "Fitz Henry Lane", followed by 30182 people on Pinterest. He sketched from the windows, was rowed into the harbor by friends, and at least once, was hoisted up a masthead to gain perspective. Mary Foley. He was unmarried having had no romance. The gallery’s new look aims to align more fully with Fitz Henry Lane Online, a free digital catalogue raisonné created in association with the Cape Ann Museum, as well as to make a strong connection to the Museum’s new campus, the Cape Ann Museum Green, where Lane’s 1863 paintings of the historic Babson-Alling and White-Ellery Houses and the surrounding landscape were done. His work can now command at auction prices ranging as high as three to five million dollars. Many circumstances of his young life ensured Lane's constant interaction with various aspects of this maritime life, including the fact that Lane's family lived "upon the periphery of Gloucester Harbor's working waterfront,"[3] and that his father, Jonathan Dennison Lane, was a sailmaker, and quite possibly owned and ran a sail loft. To 1950s '' in the early 1840s Lane would declare himself publicly to be marine! ” as critic Clarence Cook Visits fitz Hugh Lane '' fitz Henry Lane paintings ship within hours. L. 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